Ephemera
Ephemera is a national juried exhibition exploring the notion of time, impermanence, illusion, ruin, and/or the temporary as primary characteristics.
Juror is Daniel Keegan, Milwaukee Art Museum Director
DeLuce Gallery at Northwest Missouri State University
February 21 - March 18, 2011
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Juror is Daniel Keegan, Milwaukee Art Museum Director
DeLuce Gallery at Northwest Missouri State University
February 21 - March 18, 2011
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First Context
Manifest Creative Research Gallery and Drawing Center
September 24 - October 22 2010
Cincinnati, Ohio
a catalog will be printed
Manifest Gallery
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September 24 - October 22 2010
Cincinnati, Ohio
a catalog will be printed
Manifest Gallery
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The 23rd September Competition
Alexandria Museum of Art
August 27th - October 8th, 2010
in the third floor galleries
This juried international competition consists of 50 pieces selected by Professor of Painting at LSU, Kelli Scott Kelley. Ms. Kelley will announce the winners of the competition during her talk at the opening reception. AMoA offers $2,000 in prize money for this exhibit. A catalog will be printed.
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August 27th - October 8th, 2010
in the third floor galleries
This juried international competition consists of 50 pieces selected by Professor of Painting at LSU, Kelli Scott Kelley. Ms. Kelley will announce the winners of the competition during her talk at the opening reception. AMoA offers $2,000 in prize money for this exhibit. A catalog will be printed.
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Transmissions
New work by TCU’s Masters of Fine Arts students in dialogue with work by their primary influences
Saturday, April 24- Sunday, May16, 2010
Shafaq Ahmad, Jeff Elrod, Rainer Werner Fassbinder, Nate Glaspie, Timothy Harding, William Kentridge, M, Lorrie McClanahan, Ludwig Mies van der Rohe, Nic Nicosia, Devon Nowlin, Adeniyi Olagunju, Tom Orr, Harmony Padgett, Christoph Trendel
Art-making transmissions don’t travel along a one-way street. They fill a busy intersection of exchange: between younger and older artists, regional and international artists, living and dead artists, and of course students and students. Filmmakers, writers, architects and the like join the discussion as well. We take for granted that emerging artists study the work of established ones, and consciously or not, they convey this exposure in their own work. But established artists, when taking part in a healthy art system with its free flow of communication, are watching the emerging artists, too, and if they still have a pulse they can’t help but absorb the new energy and ideas, even if it means reflecting back the reflections of their own work they see in the work of younger artists.
The eight MFAs of TCU are clearly part of an active dialogue—with each other, with the established artists of our region and beyond, and with the history of art, design, and enlightened ideas. The connections between all the minds in this exhibition are active, no matter the geographical or cultural differences between them, and here the influences on the MFAs' work spike a greater understanding of contextual starting points, while the art between the students vibrates in its art-school ritual of appreciation, critique, and rebuttal. - Christina Rees, curator
Saturday, April 24- Sunday, May16, 2010
Shafaq Ahmad, Jeff Elrod, Rainer Werner Fassbinder, Nate Glaspie, Timothy Harding, William Kentridge, M, Lorrie McClanahan, Ludwig Mies van der Rohe, Nic Nicosia, Devon Nowlin, Adeniyi Olagunju, Tom Orr, Harmony Padgett, Christoph Trendel
Art-making transmissions don’t travel along a one-way street. They fill a busy intersection of exchange: between younger and older artists, regional and international artists, living and dead artists, and of course students and students. Filmmakers, writers, architects and the like join the discussion as well. We take for granted that emerging artists study the work of established ones, and consciously or not, they convey this exposure in their own work. But established artists, when taking part in a healthy art system with its free flow of communication, are watching the emerging artists, too, and if they still have a pulse they can’t help but absorb the new energy and ideas, even if it means reflecting back the reflections of their own work they see in the work of younger artists.
The eight MFAs of TCU are clearly part of an active dialogue—with each other, with the established artists of our region and beyond, and with the history of art, design, and enlightened ideas. The connections between all the minds in this exhibition are active, no matter the geographical or cultural differences between them, and here the influences on the MFAs' work spike a greater understanding of contextual starting points, while the art between the students vibrates in its art-school ritual of appreciation, critique, and rebuttal. - Christina Rees, curator
